Film

S-21: The Khmer Rouge Killing Machine

S-21: The Khmer Rouge Killing Machine is a 2003 documentary by Rithy Panh that brings survivors and former staff back to the S-21 prison in Phnom Penh.[1] Its French title is S21, la machine de mort khmère rouge.[2]

Background

Under Democratic Kampuchea (1975 to 1979), towns were emptied, money was abolished, and people were imprisoned and executed for invented crimes against the state.[3] Screen puts the death toll of those four years at almost two million people; IDFA gives about two million.[3][1] S-21 was the code name of Tuol Sleng prison, the regime's main security bureau in central Phnom Penh. It was set up in a compound of secondary schools and used to interrogate, torture and execute political prisoners.[2][3] Most of the prisoners were ordinary Cambodians forced to confess to imagined treason and conspiracy.[2] Some 17,000 were tortured and killed there.[2][3] The Museum of Modern Art counts 12 adults who were spared, Screen names Vann Nath as one of only three men who survived, and IDFA refers to seven survivors.[2][3][1] The prison site houses the Tuol Sleng Genocide Museum.[4]

Synopsis

Rithy Panh, himself a survivor of the Khmer Rouge, brought two former prisoners, the painter Vann Nath and Chum Mey, back to the prison.[5][1] Vann Nath had been kept alive at S-21 because he could paint.[6][5] There they meet their former captors: guards, interrogators, a doctor and a photographer. Many of them were barely teenagers during the Khmer Rouge years, and some were as young as 12.[2]

The former guards walk through the empty rooms and reenact how they treated the prisoners and how the prison ran from day to day.[1][7] They read aloud the instructions they once followed and look over the prison's records, including interrogation rosters, confessions and photographs, to refresh their memories.[8] The film includes Vann Nath's paintings of the prisoners.[8] Vann Nath presses the men to explain what they did. The guards say they were indoctrinated as boys and were only following orders.[1] Two of the men, Him Houy and Prak Khan, claim responsibility in front of the survivors.[5] The film also shows a former executioner, twenty years later, planting rice and sitting with his family.[8]

Production and credits

The film was written and directed by Rithy Panh, who shot it with Prum Mesa.[1][5] Cati Couteau produced it for the Institut national de l'audiovisuel (INA), with Arte France as co-producer.[1][3] Nitrate Online also lists Aline Sasson and Liane Willemont as producers.[5] Isabelle Roudy and Marie-Christine Rougerie edited the film, and Marc Marder composed the music.[1] The film is in Khmer and Vietnamese.[2]

Release and reception

The film premiered at the 2003 Cannes Film Festival, where it won the Prix François Chalais.[4][7] It screened at the New York Film Festival.[5] First Run Features released it in the United States,[5] and the United States Holocaust Memorial Museum's library catalog lists a First Run/Icarus Films edition.[9] The running time is 101 minutes; The American Historical Review lists the Icarus Films release as a 2002 film of 105 minutes.[1][8]

It won Best European Documentary at the 2003 European Film Awards.[7][10] It also received the Humanitarian Award at the 2004 Hong Kong International Film Festival and the Jury Special Prize at the 2003 Copenhagen International Film Festival.[7] At the 2003 Leipzig festival it won the Golden Dove for Best Long Documentary and the FIPRESCI Prize.[7][4]

In The American Historical Review, Leona Toker wrote that the film is devoted to two issues: the mechanics of the killing and the way the past is being processed today.[8] The Museum of Modern Art names it as an inspiration for Joshua Oppenheimer's The Act of Killing and Barbet Schroeder's The Venerable W.[2]

References 10

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This page was last edited on 4 November 2026, at 05:49.